Chapter 8 explains the interdisciplinary field of narratology, focusing on the rhetoric of storytelling, the problem of authorship in film, and the role of the spectator. The classical paradigm, suggested by Aristotle and diagramed by Freytag, is exemplified by Buster Keaton’s The General. Realistic, formalistic, and nonfictional narratives each use different narrative structures. Film genres are like myths because they provide a convenient way to organize story materials through stylized conventions and archetypal story patterns.

Each of you will be required to add the following:

• Name and page numbers assigned
  

• Explanation of key concepts and vocabulary with quotes from readings (NOT JUST BOLD TERMS)
  
• Add graphics or photos that illustrate your pointsInclude a synopsis of movies referenced
• Include a synopsis of movies referenced
• Embed links to images, text or movies on all key terms, movies, names, and concepts to other sites that give more detail or further illustrate an important concept.
• Additional Research: articles, keywords, further connections to concepts discussed.

Names	Pages Assigned
Lourenz B. Nathan E. Carlos M. Scott N. Ghassan S. Mark C. Jon O. Craig H. Izzy. K David L. Elias S. Caitlian C. Jason G. Monica F. Vance T. Brian F. Rachel A. Michael C. Karina D. Danielle Y.	p. 350-351 352-353 354-355 356-357 358-359 360-361 362-363 364-365 366-367 367-368 369-370 371-372 373-374 375-376 377-378 379-380 381-382 383-384 385-386 387-388